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Process

The plot is shared between stills and motion from the first recce. Colour sits in pre-production, not after picture lock. Finishing is not a stranger at the end of the job, and the archive is named so another team can open it a year later.

Frame
1

Frame

We write a still we can also cover. If the hero needs a modifier that will not travel into motion, we split the day on paper rather than fake it at wrap.

Hold
2

Hold

Tethered review on the square we recce. Selects happen while the key still exists. Nobody waits for a card dump at midnight to discover the frame.

Move
3

Move

Coverage from the same key. The DP and the stills lead share a plot, not two PDFs taped to the same wall.

Grade
4

Grade

Warm without a sunset LUT. Sandstone and skin share a white. The show LUT is decided in pre-production and used on stills and film.

File
5

File

Masters named for print, Rec.709, 1:1 and 9:16. An archive a producer can traffic without renaming every clip.