“The still was the film. We did not wait for a second truck.”
Lenka H. · Producer
See the still before the camera rolls. Grade once. Keep Plzeň looking like Plzeň.
See the still before the camera rolls. Grade once. Keep Plzeň looking like Plzeň.
Digitwest produces commercial stills and branded films from Plzeň. Photography leads; motion follows the same key so a campaign does not split in public between a pack shot that looks like noon and a cut that looks like dusk.
The rooms on Náměstí Republiky hold a north window, tabletop, and a colour desk. Clients review tethered stills and a calibrated picture in one visit. We travel in Czechia and nearby with a small crew; local support when a story needs more hands.
Square light first. Bounce and a quiet key that match the sandstone, not a sunset someone remembered from a stock library. If the window dies we add a small key that mimics it. We do not start over with a second look.
Finishing stays in the same building as the tabletop. Masters are named for the media plan. We keep a working project for the revision window written in the estimate, then an archive another team can open without a private scheme.
A core crew that travels. Local support when the story needs it. Finishing stays in Plzeň.




“The still was the film. We did not wait for a second truck.”
Lenka H. · Producer
“Rooms look like the hour we booked.”
Ondřej K. · Hotel brand
“A LUT and control frames. I did not invent Plzeň.”
Lucie S. · Retoucher
North window, tabletop, and a colour-managed finishing desk at Náměstí Republiky 8, Plzeň. Tethered stills and a calibrated monitor in one visit so a pack shot and a film pull are not two appointments.
See the studio