Self-tapes include a stills-style hold and a short movement. We do not cast from a single smiling headshot.
Wardrobe tests on camera, in the key we intend to use. Fabric that photographs well in a phone snap can fail under HMI.
Agencies get selects with notes on motion, not only beauty. The person who ‘looks like the deck’ still has to walk.
Background talent is scheduled, not hoped for. A documentary-looking office still needs people who can ignore the camera.
Releases are signed before wrap, including stills usage. A film release that forgets print is a lawyer’s letter in month four.
Digitwest produces commercial stills and branded films from Plzeň. Photography leads; motion follows the same key so a campaign does not split in public between a pack shot that looks like noon and a cut that looks like dusk. The rooms on Náměstí Republiky hold a north window, tabletop, and a colour desk. Clients review tethered stills and a calibrated picture in one visit. We travel in Czechia and nearby with a small crew; local support when a story needs more hands. Square light first. Bounce and a quiet key that match the sandstone, not a sunset someone remembered from a stock library. If the window dies we add a small key that mimics it. We do not start over with a second look. Finishing stays in the same building as the tabletop. Masters are named for the media plan. We keep a working project for the revision window written in the estimate, then an archive another team can open without a private scheme.